• Short Summary

    Henry moore, Britain's greatest living sculptor, and possibly the finest sculptor alive in the world tody, will be 80 years old on Sunday (30 July).

  • Description

    1.
    GV: Sculptor Henry Moore walking among sculptures in garden. (3 shots)
    0.24

    2.
    GV INTERIOR: studio, SV AND CUs: Moore at work on models (6 shots)
    0.53

    3.
    SV AND GV: Moore in Italian quarry looking a marble blocks. (2 shots)
    1.18

    4.
    SV: Moore handling chips of marble.
    1.23

    5.
    GV: Florence city skyline with cathedral, PULL BACK TO statues in foreground, SV statues. (2 shots)
    1.34

    6.
    SV PULL BACK TO GV: building surrounding Hyde Park, London seen through holes in sculpture, GV sculpture (2 shots)
    1.46

    7.
    CU: hole in sculpture people in background walking in park.
    1.52

    8.
    GV PAN: sculpture 'Reclining Figures'
    2.00

    9.
    GV: sculpture "Spindles", children climbing on it.
    2.08

    10.
    GV: sculpture, two figures.
    2.13

    11.
    MV AND GV: sculpture, Moore's voice under.
    2.19

    12.
    MV: Moore and reporter standing by sculpture, Moore speaking.
    2.35

    13.
    SV PULL BACK TO sculptures in garden.
    2.43

    14.
    SV INTERIOR: Moore handling sculpture, CU Moore's hands.
    3.04


    TRANSCRIPT: SEQ. 12: MOORE: "I remember the superintend of the Sunday school in Castleford talking about Michelangelo, and this focused me when I got back home to look up in my father's encyclopedia Michelangelo -- and from then onwards, instead of saying 'I want to be a tram driver' or 'I want to be a tram driver' or 'I want to be an engine driver', I knew I wanted to be a sculptor".




    Initials RH/1645



    Script is copyright Reuters Limited. All rights reserved

    Background: Henry moore, Britain's greatest living sculptor, and possibly the finest sculptor alive in the world tody, will be 80 years old on Sunday (30 July). He is still working, his enthusiasm unimpaired, and with no sign of his genius fading.

    SYNOPSIS: The garden of Moore's country home in Hertfordshire, about 30 miles (50 kilometres) north of london, provides an ideal setting for a selection of his works -- those that he has not sold. He will leave them, and the property, to the nation after his death.

    His studios in the grounds are cluttered with small objects -- flints, shells, gourds, bones -- that may suggest a shape that interests him. He may start by fashioning a small plastic maquette. Built up to scale with plastic foam, he will look at it again; and if he still likes it, have it made at full size in fibre-glass for yet more study before the final work is cast.

    Moore has a small house in Italy, at Forte dei Marmi, not far rom Florence (Firenze). It is near the mountain where Michelangelo - for whom Moore says he has "an obsession" - quarried the stone for some of his major works.

    Moore and his wife spend several months there every years, party for a holiday; but he always does some work there too, and has often come back with four or five carvings.

    He was particularly pleased when Florence, Michelangelo's city, presented an exhibition of his work in 1972. Last year, there was a major exhibition in Paris, and now, to mark his 80th birthday, London has mounted four. The main one is of ten air in Hyde Park.

    Over the years, the non-specialist public has apparently ceased to find Moore's work strange, and has acquired an affection for his typical bulky reclining figures and large holes. He knows people will handle his wok in the park -- even climb on it -- but does not object. He calls it "humanising" it.

    A miner's son from northern England, Moore always knew what he wanted.

    He made his way from the local art school to london, living on part-time teaching. He was over 40 before he started making a living from sculpting. Since then, his work has sold for vast sums in the United States, West Germany and Japan. What remains is worth millions of pounds (dollars); the work of a long life-time, of one man's hands.

  • Tags

  • Data

    Film ID:
    VLVA17UYARO517SQMRT61T1P7F666
    Media URN:
    VLVA17UYARO517SQMRT61T1P7F666
    Group:
    Reuters - Source to be Verified
    Archive:
    Reuters
    Issue Date:
    27/07/1978
    Sound:
    Unknown
    HD Format:
    Available on request
    Stock:
    Colour
    Duration:
    00:03:04:00
    Time in/Out:
    /
    Canister:
    N/A

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